I work at the intersection of the body, public space, and the built environment.

My practice examines how bodies encounter space - how environments shape us, and how our movements, habits, and daily negotiations reorganise the spaces we live in. Across sculpture, site-specific installations, performance, and environmental interventions, I explore the reciprocal relationship between bodies, objects, infrastructures, and everyday ecologies. My approach begins with the body as a method - fragmented, sensorial, relational, and continuously shaped by its contact with natural, built, and institutional environments.

Origins in the Public Domain

My foundation lies in sculpture - a rigorous, material-oriented training rooted in both the Roman Classical tradition of Realism and the Indian Talamana system of proportions informed by the  study of Indian temple architectural systems. This qualification is also the mandatory credential for executing public tender works in Maharashtra, which shaped my early years in the public domain through large-scale civic sculptures, collaborative studio environments, and site-sensitive projects involving engineers, architects, and government bodies. This sculptural grounding informs how I understand scale, labour, embodiment, and the physical behaviour of materials in public space.

My MFA further expanded these concerns into research, fieldwork, and socially engaged practice. Through it, my work shifted from objects to the atmospheres, institutions, and everyday structures that shape human experience. It led me to explore food systems, consumption habits, domestic architecture, environmental micro-ecologies, and the quiet politics embedded in places.

Together, these two trajectories - sculptural training and critical public-sphere research - anchor my ongoing practice.

Public Space as Material

Much of my work unfolds in the public realm: streets, campuses, community environments, civic sites, and shared institutional spaces. These spaces reveal how visibility, access, power, and cultural memory operate in daily life. They also highlight how bodies respond - through resistance, adaptation, or subtle reconfiguration. Public space becomes not simply a backdrop but a material in itself, shaped by the people who inhabit it and by the systems that regulate it.

Everyday Ecologies

My work often begins by observing the small, almost invisible interaction between people and their environments. These ordinary situations expose environmental flows, social patterns, and hidden infrastructures that accumulate inside the body. Through these practices, I study how environments are internalised, and how everyday routines can become forms of awareness, critique, and spatial understanding.

Evolving Spatial Inquiry

Over time, my practice has expanded from object-making to investigating how places are shaped, inhabited, and experienced. This expansion is a natural progression: a drive to understand the negotiations, frictions, and meanings that emerge when bodies and environments meet. It is not a shift away from art, but a continuation of it - a wider field where material, ecology, space, and subjectivity are interdependent.